Immigration. What do we really know about immigrants as people - especially the obstacles they face and the hazards they must endure to reach the United States? No one wants to examine this terrible situation, and the press tries to ignore it. John Annerino is a brave photojournalist who wants to open the eyes of this country and the eyes of Mexico. In Annerino's book, DEAD IN THEIR TRACKS: Crossing America's Desert Borderlands, he writes of crossing the Arizona desert along the historic route called the Camino del Diablo, (Road of the Devil), during the summer. Annerino accompanied 4 Mexican farm workers on a grueling struggle across the desert to get into this country. Annerino risked his own life to experience the killing heat migrants endure to cross the desert, and at one point writes of his and his companion's slim chances of surviving their journey, "We would all die like dogs in a killing ground that has claimed hundreds - perhaps thousands of their countrymen." Annerino not only witnesses and endures the hazards and rigors of his companions, but he also photographed many of the people who died in the middle of the desert. He writes graphically of one dead man: "His mouth was still open from the horror, because no one heard him gasping or saw him dying at the finish line to America's Killing Ground." How long will we permit this tragic situation to continue? One brave man cared enough for people to risk his own life to open our eyes with his camera and pen - John Annerino. And you need to read his book, DEAD IN THEIR TRACKS, to understand the human toll and suffering on our borders, and the lives that are lost among those who flee the poverty of Mexico lured by the same American Dream that brought me here. Why? To quote Annerino, "Because they're out there dying right now."

August 11. I sat down this evening to read DEAD IN THEIR TRACKS, and just finished it. All in one sitting. I really couldn't put it down. I think it's a tremendously important book. It should be required reading for those planning to cross the border, and track and control the border through immigration policies. The author did a huge amount of research, and legwork. I commend Annerino's efforts and results. His photographs, along with the maps, work well together to give the reader a first hand encounter with the land and people who cross it. I like the pacing of the chapters, the inclusion of both the men who cross the border and the Border Patrol agents, and Annerino's very thoughtful reflections on the value of Mexicans killed in the killing fields in search of a paycheck to send home to their families. It makes me feel real bad. It is hard to read at times only because it's so sad. Boy, am I glad I wasn't the photographer on those trips! Thank you for the remarkable book.

A story like this demands a great deal from an author. Although Annerino has obviously spent many hours researching the borderlands of the Southwest, the key to this monumental work is the extent to which he is willing to live the story he writes. He has taken immense risks, walking side by side through the desert with Mexican immigrants, and coming face to face with the coyotes and narcotraficantes and Border Patrol agents and ranchers of this volatile area. With Annerino's books, you always learn tons of local history, but never at the expense of that vivid sensation of dust and sweat and heat and imminent danger that keep it an interesting read. Highly recommended to anyone who wants to learn more about the little-known wilderness along the Mexican border and the human cost it extracts due to current immigration policies.

For her thirteenth birthday in 1835, Lucinda Lawrence's grandmother sends her a diary. Lucinda lives in Gonzales, Texas, when the American settlers were fighting to break free of Mexico, and she writes of many historical events, including the Alamo (where she loses a brother and an uncle), Goliad (where another of her uncles is killed), the Battle of San Jacinto, and the "Runaway Scrape," when the women and children of Texas barely escaped a step ahead of the Mexicans. Lucinda's diary is another wonderful Dear America book and I highly reccomend it.

My book, A Line in the Sand,The Alamo Diary of Lucinda Lawrence by Sherry Garland, is about a family that lives in Gonzales, Texas. The year of 1836. In San Anotonio there was a war that was about to start against the Mexicans. The Mexicans wanted Texas as theirs, other then having Texas as a free country.

Gonzales, Texas took a part in this war by sending their men to help fight against the Mexicans. They also were sending them food, bullets, and other goods that they would need to help them. Lucinda's brother and uncle went and fought against the Mexicans. During the battle against Santa Anna they die in action.

I think this was a great book. I would recommend this book to people who like a page turner and also likes to read books in a form of a journal or diary.

This is a really great book! I have recomended this book over & over & every one has loved it. I was just as upset, sad & as happy as she was @ all the right parts. This book is described really nicely. Read this, you'll like it, trust me!

Donald Lynch and Ken Marschall are considered two of the world's foremost experts on Titanic history. While Lynch is more the historian, Marschall's talents also lie in his magnificent maritime artwork. These men are so good and know their subject so well, that director James Cameron used both as consultants on his movie "Titanic," even to calling them in the middle of the night! Lynch even made a cameo in the film (the first class dad watching his son spinning a top). Both say to this day that they still refer to the movie set as "Titanic" and not "the set" because the details were so exact it was like being on board her in reality. I have met both Lynch and Marschall twice at Titanic Historical Society conventions, and they definitely know their subject as is revealed in this book. (Thanks to Lynch, I became interested in the black family who travelled second class. Now THERE'S a fact Cameron regretted he didn't get to use because he knew critics unfamiliar with Titanic history would have ignorantly screamed "That never happened.")

We not only find details of the White Star Line and the famous ship's history -- from her design as one of the three "Olympic" sisters (Olympic, Titanic, Britannic), but the few photographs taken on-board; charts; deck plans; and numerous anecdotes. But often, it is Marschall's recreations in his wonderful artwork that will take your breath away, especially when read alongside Lynch's narrative. To see paintings of her slowly sinking into the Atlantic; the details of her stern high in the air and the sight of tiny figures throwing themselves into the icy water; even his art based on Dr. Robert Ballard's photographs of the wreck site...you would have to be heartless to not be affected by these. To also read the words of many of those few hundred who survived is particularly touching, especially as they watched Titanic go down, most with loved ones still on-board. This is a wonderful book for anyone who -- like me -- fell in love with her at some point in their lives, whether as a child or thanks to Cameron's movie. This book -- along with Marschall's own "Art of Titanic" (which includes work he even did as a young boy) -- will make great additions to your collection of the real life of the true "ship of dreams" and all who were touched by her.

If you buy only one book about the Titanic, this should be the one! I bought it over a year ago primarily as a visual supplement to "A Night to Remember," because of the great Ken Marschall paintings and the many pages of photos of Titanic and related artifacts. However, I became enthralled by the superb book-length text by historian Don Lynch, which is well worth the price all by itself. Walter Lord's book focused primarily on the night of the sinking, but this book tells the whole story of Titanic, from her conception and construction to the post-disaster inquiries and recovery efforts and the discovery of the wreckage, in addition to an engrossing minute-by-minute and lifeboat-by-lifeboat account of the sinking itself. By James Cameron's own account, this is the book that inspired The Movie. Buy the hardcover if you can, since you'll want to look at it over and over again.

If you are looking for a beautifully illustrated, wonderfully arranged and truly awesome book, this is it. Ken Marschall is the gratist Titanic artist ever! His paintings, mixed together with real photos, seem to bring you back to the Titanic. the way Don Lynch gose in depth explaning her maden voyege, you won't need any other Titanic books, Titanic an Illustrated History has it all.

when i read i have this tendency to underline or highlight phrases and words that strike me. reading this book i eventually had to give up on the note-taking, because otherwise the entire book would have been highlighted! i saw myself in nearly everything tracy went through. it helped me to understand things about myself that i wasn't even aware of. the periods of being "fine" in between the depression, the way it would sneak up on her, the way all motivation to work or function would just fly out the window, the way a person could seem perfectly "normal" to everyone around her and yet inside be a complete mess. all i want to say is thank you!

I have read many books on Depression and other mental health problems since the summer of 1993 and this is the best that I have read yet. I would highly recommend it to anyone that either suffers with, or knows someone who suffers with Depression. The way Ms. Thompson has written this book really hits home for me and it was inspiring to know that there are people who have overcome this terrible disease and are successful at their chosen careers. IT IS THE BEST, THANK YOU MS. THOMPSON FOR SHARING YOUR STORY.

For many, many years, I suffered terribly from depression, a tradition in my family. I was finally diagnosed a few years ago, and now take medication that enables me to live a normal life. Even so, this book gave me powerful insight into The Beast. I saw myself on every page. There were elements of this disease that I wasn't able to see until I read this book. (Like the fact that I was lying to myself and others about having the disease.) Reading it, I had "aha" after "aha." Since then, I have told three people - my friends - about what I go through and what I have been through. That's a big step for me. If you can't sleep, or if you sleep too much; if you aren't in counseling because you're afraid you'll be committed; if you are in agony but you think "everybody" lives this way and just handles it better than you; if you don't want to live like you live anymore; if the anxiety is like a sock in your throat; if you feel like "nobody" could understand, please buy this book. It will help you. If you know or love someone who you think may be suffering from this disease, I recommend reading it. It will help you understand why they are doing what they do and may help you help them.

This book is one that truly stands the test of time. I first read it in the 70's as a teen, and it has stayed with me all these years. If you are a lover of historical fiction, appreciate bold, sweeping epochs, and are fascinated by human nature, this is a read for you. I love Taylor Caldwell's books, but beware if this is your first foray into her works, as she sees the world and people in general as very duplicitous. She can be very dark and brooding, and appears to have been a rapt conspiracy theorist judging from the introduction and the bibliograpy that appear in this book. Her characters tend to be quite black and white, but that of Joseph Armagh is quite complex and will be an endless source of fascination to the reader. Aside from the heavy handed political tones in this book, it is the saga of the Armagh family that will keep the reader engrossed. Caldwell weaves a formidible tale-one that is engaging, educational, emotional, and yes even a little frightening. I find myself wondering at the conclusion of this book: What if, in fact, we truly are at the mercy of the "deadly quiet men"? This book will entertain you and make you think!

There are two sides to this book, one is typical of the romantic pulp fiction style of the 70's, this is first the life story of Joseph Armagh, a destitute orphan who emigrated from Ireland because of the famine. His bitter experiences in childhood leave him cold hearted and in pursuit of money at all costs, and he achieves incredible wealth and power in America. His goal at any price is to make his son president of the United States. There was a made for TV mini series based on this story.

The other more interesting part of this book though is about the control of wealth and real power in the world in the hands of a few. Taylor Caldwell has written an add on to the story that is a warning that the "controllers" are not fiction and were more powerful than ever. In the Captains and the Kings some historical events described are the US civil war, the presidencies of Lincoln, labor struggles, the making of Teddy Roosevelt, and immigration. Was the civil war after all just an event arranged & set up mainly by rich European bankers for profit? Are all wars always set up by a handful of distant people for profit? This book really makes you wonder

If I were marooned on a desert island, I would have to have this book with me! I read it in the 70s and have also enjoyed the mini-series many times over which starred the late Richard Jordan as Joseph Armagh. While it would be easy to draw parallels with the fictional Armagh family and the Kennedy dynasty, I prefer to think of the book as a testament to one Irish immigrant who found and then lost the American dream. The more disturbing aspect of the book (and one I always think of when a major news event takes place) is the presumption by the author that there are powerful men with money who control much of the destiny we call history. Do these men exist? Who can say? A riveting book and one worth more than one read.

In our urban civilisation reaching thousands of years into history, not one definitive work has chronicled the workings of cities, one of mankind's greatest achievements, as well as Jane Jacobs' landmark 1961 saga of the travails and tribulations of the American city.

The epic spans eras- from the foundations of the Garden City movement in the late 19th century to Jacobs' contemporary 1961. Through this time period she describes how the loathing of urbanism by planners and their subsequent divorce from the realm of public opinion gave rise to the forces of suburbanisation and destruction battering American cities of the mid-20th century. This lays the fundamental groundwork for Jacobs' criticism of contemporary planning methods, especially in her home of New York. Jacobs emanates thoughtful analysis on what works and what does not in regards to the massive projects envisaged and in many cases wrought upon the cityscape.

But perhaps the heart of the book are the chapters in which Jacobs describes how a city works at its most ideal. She chooses only the most exemplary neighbourhoods, those which persevere and spite statistical analysis despite the conventional wisdom of planners. Her own Greenwich Village serves as the book's centrepiece, but Boston's North End and Philadelphia's Rittenhouse Square are also featured prominently. Jacobs' arguments for the necessity of density, history, and, above all, diversity in all forms (architectural, street, human, retail, age) are as poignant as they are eloquent. Those pragmatists not immediately taken to heart by Jacobs' paen to urbanity take solace in her intimate and empirical knowledge of economics. Indeed, what makes Jacobs' book so revolutionary is that it does not follow from knowledge handed down by established theory or intellectualism, but from experience, observation, and wisdom, the foundation for her usurpment and subversion of the fallacious atrocities being waged against America's cities.

Liberal at some points, libertarian at others, Jacobs' work must be comprehended not as a work of political ideology but of scientific method. Her opinions are based on but one bias- an innate love for the city. And all who wish to truly understand it in all its objectivity- its trials, mistakes, and triumphs, and her premonitions for our future, are urged to read this. For "Death and Life" is not merely historical perspective on a fleeting problem, but truly a prophecy as well.

Jane Jacob's work has had many reverberations across the United States. The book, written nearly four decades ago, can be credited with helping start the protest and shift of policy makers from using Corbusian designs of urban redevelopment to more traditional rehabilitation, reuse, and revitalization methods to help reinvigorate cities. This book demonstrates the understated complexities and economies of city life, and how those complexities are very fragile and depend on the communication and interaction of people. Most importantly, it helps define community and how community, whether rich or poor, can overcome nearly all social ills and beat the statistics. An essential book for those who study sociology, economics, political science, psychology, architecture, urban planning, and general business

This 1961 book by Jane Jacobs, a one-time writer for architectural magazines in New York City, turned the world of city planning on its head. The author, who possessed no formal training in architecture or city planning, relied on personal observations of her surroundings in Greenwich Village in New York City to supply ammunition for her charges against the grand muftis of the architectural profession. "The Death and Life of Great American Cities" consists mostly of common sense observations, but there is also a good amount of statistical information, economics, sociology, and some philosophy at the base of the author's arguments. This 1993 Modern Library reprint seeks to bring Jacobs's work to a whole new generation of readers, a necessity when one realizes that a majority of the problems plaguing cities in 1961 continue to be a problem today.

Jacobs begins her book with a brief history of where modern city planning came from. According to the author, the mess we call cities today emerged from Utopian visionaries from Europe and America beginning in the 19th century. Figures such as Ebenezer Howard, Lewis Mumford, Le Corbusier, and Daniel Burnham all had a significantly dreadful impact on how urban areas are built and rebuilt. These men all envisioned the city as a dreadful place, full of overcrowding, crime, disease, and ugliness. Howard wished to destroy big cities completely in order to replace them with small towns, or "Garden Cities," made up of small populations. Similar in thought to Howard, Mumford argued for a decentralization of cities into thinned out areas resembling towns. Le Corbusier, says Jacobs, inaugurated yet another harmful plan for cities: the "Radiant City." A radiant city consists of skyscrapers surrounded by wide swaths of parks where vast concentrations of people herded into one area could live and work. Burnham's contribution to planning was "City Monumental," where all of the grand buildings (libraries, government buildings, concert halls, landmarks) of a city could be clustered in one agglomeration separated from the dirty, bad city. Jacobs writes that all of these ideas continue to exert influence on the modern city, and that all of these ideas do not work.

For Jacobs, the key to a successful city rests on one word: diversity. This is not specifically an ethnic diversity, although Jacobs does vaguely include this in her arguments. Rather, diversity means different buildings, different residences, different businesses, and different amounts of people in an area at different times. The antithesis of diversity is what we see today on a stroll through downtown: a bland uniformity of office buildings, apartment dwellings, and houses that stretch as far the eyes can see. In the author's view, this lack of diversification leads to economic stagnation, slums, crime, and a host of other horrors that are all too familiar to viewers of the evening news. Especially egregious to Jacobs is the tendency to isolate low-income people in towering projects surrounded by empty space. The lack of embedded businesses in these areas, along with closed in hallways and elevators (which Jacobs calls "interior sidewalks and streets") creates a breeding ground for criminal elements and bad morale among the residents. Cities that work best employ a wide range of diverse interests that attract, not repel, people. Unfortunately, bureaucrats and social planners always believe top down planning is better than bottom up initiative. Jacobs tries to show the fallacy of social planning.

The amount of ground covered in this book is amazing. The author examines the role and practicality of parks, sidewalks, business interests, city government, streets, automobiles versus pedestrians, and boundaries. Repeatedly, Jacobs discovered fatal errors in how planners build cities. She found parks placed in the sunless shadows of skyscrapers or at the end of dead end streets, narrow sidewalks incapable of carrying heavy foot traffic, city blocks so long that people avoided walking down them, and city governments too fragmented to carry on effective management. All of these things eventually led to abandonment and degradation. Even worse, when a planned section of the city failed the planners came back and razed it to the ground in order to replace it with yet more failure.

One of Jacobs's failings in the book is that she never seems to make the connection between urban planning and social control. The housing projects are a great example. By isolating the poor, blacks as well as whites and other ethnic minorities, the state practices an effective control over these people's lives. This book inspired me to check into the fate of Cabrini-Green, Chicago's notorious housing projects that served as a role model for the abject uselessness of urban planning. These projects are in the process of being razed and replaced by mixed-income houses that, if Jacobs is accurate, may thrive due to the nearby presence of shopping areas and businesses. Of course, the planners are still in the game because they are sending most of the poor residents to other areas of the city.

I am probably not the best person to judge the merits of this book because I have never been to one of Jacobs's "Great Cities." I had difficulty imagining some of the layouts she mentioned in the book due to the simple fact that I have never seen them. Despite this small problem, there is still plenty of information in this book that does make perfect sense. You do not need to live in New York City or Philadelphia to recognize that parks with no sunlight will not be a big hit with the city denizens, or that older buildings are necessary to a neighborhood because they allow small businesses to exist with low overhead costs. "The Death and Life of Great Cities," despite its age, is still a relevant book well worth reading.

Having read Ronda's first book, I knew she was a talented writer with great stories to tell. Being a NASCAR fan, I knew that this was going to be a good book. I was not dirappointed!

The book is written in 27 short, easy-to-read chapters; each having a wonderful story about the legends of the sport. Each chapter also concludes with Ronda's life-lesson learned as a result of the events described. Once I began reading it, I lost a lot of sleep staying up into the night reading.

There are fascinating stories about Bill Elliott, Dale Earnhardt, Michael Waltrip, Bobby Allison, Ken Schrader, Alan Kulwicki, and Tim Richmond (a name many newcomers don't know, but know about--this is the life portrayed by Tom Cruise in "Days of Thunder"). As a reluctant newcomer to NASCAR, Ronda quickly became an avid fan and supporter of the sport while covering it as a sportswriter and then as a promoter for the manufacturers.

This book is a "must read" for any fans of the sport.

My wife bought this book, read it and kept bragging on it. I was reluctant to read because I'm not a big reader and I just didn't think I'd enjoy it that much. One day, I picked up the book and read the chapter about the late champion Alan Kulwicki. That did it. I then had to read the entire book. I enjoyed it very much. It shows the human side of a sport that is becoming so slick and so polished that it's easy to forget that the drivers are often regular guys with problems and struggles just like the rest of us. This book reflects on many of the heroes and legends who made the sport like Darrell Waltrip, Richard Petty, Dale Earnhardt and others. There are places, like where she talks about her friendship with and the death of Tim Richmond, that really put a lump in my throat. As in the case of Kulwicki, who is displayed here to be a serious loner who saw too much death in his young life, his mother included, that shaped his life and personality, you are shown an inside to the sport that is seldom seen. The men in this book are true heroes and the author is to be commended for writing it in a way that we feel we are being treated to VIP look at these guys.

Wow! What a great read! I am so glad I bought this book - it will be my stocking stuffer of choice for this holiday season for both guys and gals. This is a great book for Winston Cup die-hard fans and for novices! Ronda Rich is hilarious. It's full of anecdotes about all of the greats, including Earnhardt, Petty, Childress, Schrader, and more ... and all from the female perspective with plenty of stories that could only come from an insider. I read Ronda's last book and thoroughly enjoyed it, and this book stays the course. I found myself laughing out loud and feeling sorry when the book was over! More than just a book about racing, the book serves up some deep life lessons in each chapter - the author looks at the truth behind the losses and disappointments that come with the industry. She's quite a teacher - obviously a spiritual woman - it's a great read for kids too. I'm hoping this is the first in a NASCAR series for her ... if you see this Ronda ... please give us another one! Can't wait!

Incidents in the Life Of A Slave Girl is a harrowing, personal experience of a AA female born and raised during the tumultuous, infamous and tragic era of slavery in America's history. Harriett Jacobs, aka Linda Brent, tells in her own voice-one that is explicit and easy to understand-the story of a young woman born into the brutal, horrendous slavery era who later escapes to freedom in the North. Incidents is emotional and the feelings are raw as you experience the tale of a slave who desired freedom so badly that she hid for SEVEN YEARS in a narrow, cramped quarter without much freedom of movement. The story is riveting and moving and shows what an individual is able to accomplish in spite of sex, race and slavery. Incidents is a story of bravery in light of insurmountable circumstances and ones belief that they can succeed in spite of unmeasurable difficulties.

Incidents is an excellent reading selection for a bookgroup and a book that I highly recommend to everyone. Remember the story and share the story so that history doesn't repeat itself.

Intended to convince northerners -- particularly women -- of the rankness of Slavery, Incidents in the Life of a Slave Girl presents a powerful autobiography and convincing writing that reads like a gripping novel but is organized and argued like an essay.

Incidents follows the "true story" (its authenticity is doubted in some places) of Linda [Jacobs uses a pseudonym] who is born into the shackles of slavery and yearns for freedom. She lives with a depraved slave master who dehumanizes her, and a mistress who mistreats her. As the novel progresses, Linda becomes increasingly starved of freedom and resolves to escape, but Linda finds that even escaping presents its problems.

But Incidents is more than just a gripping narration of one woman's crusade for freedom, and is rather an organized attack on Slavery, intended to convince even the most apathetic of northerners. And in this too, Incidents succeeds. The writing is clear, and Jacobs' use of rhetorical strategy to preserve integrity is astonishing.

Well written, convincing, entertaining, Incidents is an amazing book.

Incidents in the Life of a Slave Girl by Linda Brent is a deeply touching narrative of a slave woman's journey through the heinous institution of slavery to her eventual emancipation. Through her description of bonded labor, the reader very poignantly realizes what it was like for millions of African Americans to be brutalized and ravaged by slavery. Written in 1861 to educate the Northerners, especially the women, about the evils of slavery, the autobiography is a harrowing account of a woman's life, what the author ironically calls her 'adventures'. The abuse that the palpably intelligent and veracious author had to undergo has the power to humble every one of us even today.
Linda Brent was born as a slave in the household of a miraculously benevolent mistress. She lost her mother at the age of six, but her mistress, who was her mother's half-sister, took good care of her and endowed on her ward the gift of literacy. The degradative reality of slavery was hidden from the author till she entered her early teens, when within a year both her mistress and her father passed away, and she was acquired by the household of Dr. Flint. At his plantation, the author had to bear the full force of slavery. From this time to the author's eventual freedom, the reader gets a glimpse of the persecution that a slave had to face.
As mentioned above, the book was written to illustrate the depravity of slavery to people living in the North. It is striking to see how humbly, or even apologetically, the author has used her life to explain the circumstances of slavery. She has used fictitious names and concealed the names of places so as not to offend any person, black or white. As one reads the book, the author can definitely be identified as a pious and truthful person, and becomes easy to see why the author places so much emphasis on her secrecy. The book is not written to garner sympathy from readers, but to shock readers into the realities of slavery. It was an appeal to the people who the author thought had the power to defeat slavery to act on it.
The author's main argument is that slavery is not just about perpetual bondage, but it involves the absolute debasement of a people. She painfully acknowledges that the 'black man is inferior', but vociferously argues that it is a result of slavery, which stymies the intellectual capacity of her race. She believes that 'white men compel' the black race to be ignorant. Although she was wronged by many Southern white men, she does not blame the white race for her ills. She believes that the institution of slavery has ample negative impact on the household and psyche of a white family as well, and that white males are coerced into being brutal. She rebukes 'the Free States' in her own pacific way for condoning slavery in the South. Her stand is that a life of manumit destitution is radically more acceptable than bondage, and that is the general idea that the author wants the readers to remember.
The book is sequenced more or less in a chronological order. The author's astoundingly comfortable childhood is shattered by the nefarious demands of being a pubescent female slave. She explains how even the body of a slave is not her own, and is considered to be a property of the slaveholder, that can violated or abused according to his wishes. Her analogy to being traded or shot like pigs demonstrates the extent of shame that a slave had to bear with. Her infatuation and blind faith in the goodness of a white man make her the mother of two children, and her determination to keep them away from the evils of slavery becomes her primary goal. In her attempts to flee from slavery, she has to hide in a den above her grandmother's house for seven years. The anguish of a mother who can see her children but not be able to communicate with them is heart wrenching. The story of her escape to the North is also incredible. Even after reaching the north, she had to resist prejudice and fear for a long time before she and her children eventually became free.
By reading the book, the reader can definitely get to experience the life of a slave. Perhaps the shocking brutality of the truth is shielded in the book by the author's conscious effort to not be a cause of affront. She wrote this book because she had a message to give to the readers, but was held back in a way by her goodness. On the other hand, reading a book written in a simple way, as though the author was narrating her story in front of the reader, goes on to validate her tragedy. It is explained in a more personal way than a historian would explain it, and the harsh emotions experienced by the author break through, even though she tries to suppress her sadness. The author's argument that slavery is humiliating is proved by the fact that the author does not explain exactly how she was mentally and physically abused. She only points out that she had to bear physical and mental decadence, but does elaborate on the techniques of the likes of Dr. Flint.
It has to be remembered that this book was not written to be a historical text. It is about a woman's personal fight with slavery. It cannot be argued that her emotions were wrong or that her views about slavery can be challenged in any way. Readers who have not experienced slavery are not in a position to do so. This book definitely manages to do what it was intended to do, and that is to make the reader aware that slavery was a harrowing experience for the African Americans. As a book of past injustices and future hopes, it is a must read.

When I'd finished reading "A Place called Wiregrass" and looked again at the editorial reviews on the cover I was surprised that no-one had commented on the strong message of faith portrayed in the story. Erma Lee Jacob's journey from the depths of despair to following God's call came slowly, honestly, sincerely and lovingly throughout the book. It
showed how much easier it was to live God's plan and not the world's plan for a happier life. It wasn't a sudden decision, but a long thought-provoking one and I enjoyed travelling along this spiritual path with Erma Lee.

Well done Michael Morris. You deserve recognition for this first novel beautifully written. I believe this book is so powerful that it can appeal to anyone -- regardless of individual spiritual beliefs.

A Place Called Wiregrass kept me captivated from cover to cover. It's rare to find a book you really can't put down. I was drawn into the life of Erma Lee by the strong story line, vivid imagery, and powerful language. Her journey from a destitute life to one of independence was very uplifting. The relationships she formed along the way were inspirational. I felt like I knew Erma Lee, Gerald, Cher, and Miss Claudia. I will definitely look for Michael Morris' next book.

I just finished reading the novel "A Place Called Wiregrass" by
Michael Morris and was captivated by the story and content. I
do hope the executives in Hollywood receive a copy for review and
attempt to make a movie. I would love to see the characters and
setting come to life on screen. It is hard to believe that a male
could write in the first person about an abused female and understand
the trials, obstacles, and feelings of that individual. I am
astonished and would be most interested in reading future novels
by this author. It is clearly a masterpiece and rare find.

Robert Klose's book is a detailed account of the bureacratic hurdles he faced as a single man wanting to adopt a child into his life. He simply wanted a son -- to give a young boy a loving, safe home. But no one made this journey easy. As you follow along through the months and years with Klose, you find yourself thoroughly supporting this man, cheering with him whenever snippets of progress occur. Klose's writing style makes it easy to journey with him. He paints the picture perfectly. Through his story I felt his anger, his disappointment, his resignation to the endless requests for money, and his immediate love for a beautiful Russian boy when he first set eyes upon Alyosha. Read this book. You'll agree that this world is a better place because of men like Klose.

I received this book with low expectations considering previous tactical books I had read on the subject. It stopped me in my tracks.
I was so impressed by Robert's literary style and story-telling ability. He allows us to go through the entire process and share very personal emotions --discovering with him important lessons for anyone involved in international adoption. The frustrations and bureaucracy encountered are almost overwhelming, but well worth it. I loved this book. I would highly recommend it to anyone considering international adoption--single or married. However, I would also recommend it to anyone who would enjoy an inspirational true story about a man and a boy half-way accross the world who seemed destined to be family. I promise it will change your perspective on adoption and what it means to love. All we need now is the sequel. Thanks Robert for living and telling your story.
(One more thought, if I were a TV producer, it would make a great Sunday Night Movie)

As a fellow single dad who just completed the adoption of my son from Romania, I can certify that Bob Klose has accurately rendered what many (if not most) single men who want to adopt go through. International adoption has its own special set of ups and downs, and he related these with a sense of humor (and irony) that helped me prepare for my own adoption journey with a little less fear.

I think all prospective adoptive parents (and most certainly all single male prospective adopters!) have something to gain from this book. I also think that it's a wonderful, loving story that offers a lot to everyone else -- it's nice to read a "warm fuzzy" story every now and then, isn't it?